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Hannes Drißner
Visual
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My work mostly contains editorial design but also posters, visual identities, packaging, self-initiated projects and artworks with a content driven and systematic focus on typography. I am currently working freelance, part time for Spector Books Leipzig and making my first steps in teaching at HAW Hamburg and DHBW Ravensburg.

Education:
Applied Media Design (B.A.) at DHBW Ravensburg and Typography & Graphic Communication at University of Reading, UK.


Contributions/Features/Awards:
Certificate of Typographic Excellence Tokyo TDC, 2021 / Schönste Deutsche Bücher (2× ÜBERFAHRT + DNA), 2020 / Weltformat Newcomer Award Nominee, 2019 / ADC Nagel Bronze – Junior Award, 2019 / Group exhibition at Chemnitz Open Space, 2019 / GDA – Newcomer Nominee, 2019 / Cnap publishing grant (BURE), 2019 / Förderpreis für junge Buchgestaltung (Shortlist), 2019

Teaching/Lectures:
Editorial Design Workshops at HAW Hamburg + DHBW Ravensburg, 2022 / Typo Talk at Typografische Gesellschaft München with Daniel Zenker, 2019

Selected Clients/Collaborators:
MdbK Leipzig, Pochen Biennale, Goethe-Institut, Thomas Mann House (L.A.), Alexander Kluge, Stoschek Collection Düsseldorf, Spector Books, Akademie der Bildenden Künste Wien, Monika Rink, DAM, Haus der Kulturen der Welt, Bauhaus Stiftung, Fabian Bremer, Pascal Storz, Österreichisches Filminstitut

coding by: Quiet Collective

Contact:

+49 (0) 152 576 831 10
Instagram

© 2022 Reproduction or modification in any form or by any means prohibited without prior permission. Last updated: 13.08.2022

2022/6
UTE RICHTER: GERTRUD ODER DIE DIFFERENZ
Video
ca. 60 min.
1920 × 1080 px
42

About:
A video by Ute Richter about the Schule der Arbeit, a model project of workers’ education in Leipzig (1928-33) with archive material, hand drawings, animated drawings, narrator and sound. In cooperation with Luise Ritter (animated drawing), Franka Sachse (postproduction), Ipke Starke (sound), Verena Noll (narrator). Additional to the movie titles a billboard has been installed in front of Ideal Artspace.

Typeface:
Walter Alte (Dinamo Typefaces)

UTE RICHTER: GERTRUD ODER DIE DIFFERENZ
UTE RICHTER: GERTRUD ODER DIE DIFFERENZ
UTE RICHTER: GERTRUD ODER DIE DIFFERENZ
UTE RICHTER: GERTRUD ODER DIE DIFFERENZ
UTE RICHTER: GERTRUD ODER DIE DIFFERENZ
UTE RICHTER: GERTRUD ODER DIE DIFFERENZ
UTE RICHTER: GERTRUD ODER DIE DIFFERENZ
IMG. 1/7
2022/5
UPS EXHIBITION
Poster
640 pp.
A3
41

About:
The exhibition UPS_PSU_SPU_USP_PUS_SUP, Rendez-Vous at my place presented
works of various artists exploring the motif of palimpsest in a variety of forms on 1000m².
With young artistis from Leipzig, Düsseldorf, Berlin, Porto, Leeds and Vienna - melting together in dialectic draft of commenting on the world. Curated and organized by Leon Billerbeck.

UPS EXHIBITION
UPS EXHIBITION
UPS EXHIBITION
IMG. 1/3
2022/5
HANS-WALTER MÜLLER UND DAS LEBENDIGE HAUS
Book
232 pp.
155 × 210 mm
40

About:
This publication is based on Robert Stürzl’s discussions with the architect, civil engineer, and artist Hans-Walter Müller, who has been developing forms of pneumatic architecture since the late 1960s. The book combines conversations, photographs and drawings from Müller’s archive with early texts written by the architect and a comprehensive catalogue raisonné. The publication thus provides German readers with the first in-depth study of the life’s work of the visionary architect and champion of living architecture.

Thread-sewn softcover with screen printed PVC dust jacket. German and French language editions. The book is available here.

Paper:
Arena Rough 90 g/m² and 300 g/m²

Typefaces:
Diatype (Dinamo)

HANS-WALTER MÜLLER UND DAS LEBENDIGE HAUS
HANS-WALTER MÜLLER UND DAS LEBENDIGE HAUS
HANS-WALTER MÜLLER UND DAS LEBENDIGE HAUS
HANS-WALTER MÜLLER UND DAS LEBENDIGE HAUS
HANS-WALTER MÜLLER UND DAS LEBENDIGE HAUS
HANS-WALTER MÜLLER UND DAS LEBENDIGE HAUS
HANS-WALTER MÜLLER UND DAS LEBENDIGE HAUS
HANS-WALTER MÜLLER UND DAS LEBENDIGE HAUS
HANS-WALTER MÜLLER UND DAS LEBENDIGE HAUS
HANS-WALTER MÜLLER UND DAS LEBENDIGE HAUS
HANS-WALTER MÜLLER UND DAS LEBENDIGE HAUS
HANS-WALTER MÜLLER UND DAS LEBENDIGE HAUS
IMG. 1/12
2022/5
ALEIX PLADEMUNT: MATTER
Book
640 pp.
225 × 310 mm
39

About:
Since 2013, Aleix Plademunt has been working on Matter, his most extensive photographic project. The 640 page brick tackles the age-old question of existence.

Designed in close collaboration with Fabian Bremer and Pascal Storz. The book is available at Spector Books and Ca l’Isidret.

Paper:
Holmen Trend 90 g/m²

Typeface:
Nimbus Sans

ALEIX PLADEMUNT: MATTER
ALEIX PLADEMUNT: MATTER
ALEIX PLADEMUNT: MATTER
ALEIX PLADEMUNT: MATTER
ALEIX PLADEMUNT: MATTER
IMG. 1/5
2022/4
VERLAGSVORSCHAU (ongoing)
Series
48 pp.
A4
38

About:
Stapled softcover series with exchanging centerfold inlays. Designed in close collaboration and under supervision of Markus Dreßen, Jan Wenzel and Anne König 2018. and redesigned 2022 with Elias Erkan. The catalogs can be digitally read here.

Paper:
Various Printshop stock papers in around 90 g/m²

Typeface:
Agipo (Radim Peško)
Apax (François Rappo

VERLAGSVORSCHAU (ongoing)
VERLAGSVORSCHAU (ongoing)
VERLAGSVORSCHAU (ongoing)
VERLAGSVORSCHAU (ongoing)
VERLAGSVORSCHAU (ongoing)
IMG. 1/5
2022/2
RICARDA ROGGAN: THE DARK WISH OF THINGS
Exhibition
Plott
3200 × 3000 mm
37

About:
Layout and typesetting for Ricarda Roggans solo exhibition at MdbK Leipzig. Legible, simple, reserved.

Plotted type on wall and printed metal metal plates for the works

Typeface:
Acumin Pro

RICARDA ROGGAN: THE DARK WISH OF THINGS
IMG. 1/1
2021/12
MAX EULITZ: NOTES ON 41
Book
152 pp.
110 × 175 mm
36

About:
Max Eulitz’ Notes on 41 is a collection of essays illustrating the circumstances surrounding the creation of a nightclub in Kyiv. The book outlines structural challenges in the historical context and considers the complexity of the sociopolitical situation in Ukraine.

English-Ukrainian, perfect bound flip-book as a softcover with flaps and matt varnish. Ukrainian typesetting by Alexey Malygin

Paper:
Munken Print Creme 15 80 g/m²

Typeface:
Favorit Pro (Dinamo)

MAX EULITZ: NOTES ON 41
MAX EULITZ: NOTES ON 41
MAX EULITZ: NOTES ON 41
MAX EULITZ: NOTES ON 41
IMG. 1/4
2021/11
SPECTOR BOOKS TOTE BAG
Merchandise
250g Linen
500 × 500 mm
35

About:
First ever Spector Books hardware goodies: big scale tote shoppers to fit all the books you ever wanted.

Designed with the good homie Elias Erkan

Typeface:
Neue Haas

SPECTOR BOOKS TOTE BAG
IMG. 1/1
2021/11
ON THE ROAD TO CHANGE
Video
various
16:9 ratio
34

About:
The video series On the Road to Change brings people in Los Angeles, Berlin, Athens and Delhi into conversation about what democracies can learn from the pandemic. It is a cooperation of the Goethe-Institut and Thomas Mann House in Los Angeles. Design derives from painted street typography that is stretched for legibility in movement. Five volumes, five bold colors, global discussions and plenty reasons to give this project a watch.

Concept and branding for the video series with all components and some communication adaptions. All credits for movements to Hanna Viellehner, queen of Aftereffects.

Typeface:
Vacuum (Nicolas Bernklau)

ON THE ROAD TO CHANGE
ON THE ROAD TO CHANGE
ON THE ROAD TO CHANGE
ON THE ROAD TO CHANGE
ON THE ROAD TO CHANGE
ON THE ROAD TO CHANGE
ON THE ROAD TO CHANGE
IMG. 1/7
2021/11
FREIES ENSEMBLE JEDERMENSCH
Poster
002 pp.
680 × 480 mm
33

About:
Multi-use Leaflet/Poster for Leipzig based Freies Ensemble Jedermensch, advertising their 2022 season program. A color code and numerals connect the images and calendar on front with the descriptions and details on the typographic back side.

Typeface:
Apax

FREIES ENSEMBLE JEDERMENSCH
FREIES ENSEMBLE JEDERMENSCH
FREIES ENSEMBLE JEDERMENSCH
FREIES ENSEMBLE JEDERMENSCH
FREIES ENSEMBLE JEDERMENSCH
IMG. 1/5
2021/10
POCHEN SYMPOSIUM 2021
Identity
various
various
32

About:
Identity, leaflet and window plots for the symposium of Chemnitz based »Pochen Biennale«. Bill/receipt style typography and collage designed together with Vienna legend Simon Merz.

The leaflet is perforated to make it a multi functional poster + overview + postcards for each event. Printed in CMYK and Drip-off varnish.

Paper:
Maxi Gloss 80 g/m² (leaflet)

Typeface:
Oracle (Dinamo Typefaces)

POCHEN SYMPOSIUM 2021
POCHEN SYMPOSIUM 2021
POCHEN SYMPOSIUM 2021
POCHEN SYMPOSIUM 2021
POCHEN SYMPOSIUM 2021
POCHEN SYMPOSIUM 2021
POCHEN SYMPOSIUM 2021
IMG. 1/7
2021/10
HELGA PARIS: PORTRAITS
Book
152 pp.
185 × 240 mm
31

About:
This book features Helga Paris’s portraits of artists and writers in the GDR that are being published for the first time.

Thread-sewn Hardcover with duplex printing in Pantone Black and warm Grey.

Paper:
Magno Sappi 110 g/m²

Typeface:
Cigars (Heavyweight)

HELGA PARIS: PORTRAITS
HELGA PARIS: PORTRAITS
HELGA PARIS: PORTRAITS
HELGA PARIS: PORTRAITS
HELGA PARIS: PORTRAITS
IMG. 1/5
2021/7
MARTIN KIPPENBERGER: METRO-Net
Book
144 pp.
175 × 225 mm
30

About:
In the early 1990s, Martin Kippenberger developed the idea of a global underground network: METRO-Net. This created a means of travelling in the boundless space of the imagination. Its usability depends on the imagination. METRO-Net was intended to counter life’s predictable, rationally oriented parameters with a romantic sense of the world.

Thread-sewn hardcover with blind embossing on cover, designed in close collaboration with Fabian Bremer and Pascal Storz.

Paper:
Munken Print White 15 100 g/m²
Peyer Surbalin Seda

Typefaces:
Bureau Grotesk

MARTIN KIPPENBERGER: METRO-Net
MARTIN KIPPENBERGER: METRO-Net
MARTIN KIPPENBERGER: METRO-Net
MARTIN KIPPENBERGER: METRO-Net
MARTIN KIPPENBERGER: METRO-Net
MARTIN KIPPENBERGER: METRO-Net
MARTIN KIPPENBERGER: METRO-Net
MARTIN KIPPENBERGER: METRO-Net
MARTIN KIPPENBERGER: METRO-Net
MARTIN KIPPENBERGER: METRO-Net
MARTIN KIPPENBERGER: METRO-Net
MARTIN KIPPENBERGER: METRO-Net
MARTIN KIPPENBERGER: METRO-Net
IMG. 1/13
2021/6
LAURA BIELAU: ARBEIT
Cover
68 pp.
265 × 265 mm
29

About:
Laura Bielau’s photo book Arbeit (Work) is about the actual space of her work as a photographer and artist: the studio in which she operates. One aspect of the work centres on what she finds in this space, the resources she has at her disposal there, and the way she moves in it.

Perfect bound softcover and reckless monospace typography for the cover and flaps. the book is available here.

Paper:
Magno Sappi 115 g/m²

Typeface:
Custom

LAURA BIELAU: ARBEIT
LAURA BIELAU: ARBEIT
LAURA BIELAU: ARBEIT
IMG. 1/3
2021/6
HIDE AND SEEK
Video
16:9 ratio
1920 × 1080 px
28

About:
An experimental shortfilm by my big footed friend Larius Kieninger, dealing with the defintion of facts in a media shaped society. Executed as a project at Filmakademie Baden Württemberg GmbH Ludwigsburg.

Titling design and credits

Available to watch at Larius’ vimeo

HIDE AND SEEK
HIDE AND SEEK
HIDE AND SEEK
HIDE AND SEEK
HIDE AND SEEK
IMG. 1/5
2021/6
BENNO HERZ
Business card
2 pp.
89 × 51 mm
27

About:
Business cards for multi-talented Benno Herz and his L.A. based freelance abilities aswell as his Thomas Mann House adress. Visually referencing a mixture of room keycards with swiping instructions and a Pacific Palisades hotel room touch. Definitely slides right into your pocket!

Printed in Los Angeles CA

Typeface:
Quadrant Text (Vincent Chan)

BENNO HERZ
BENNO HERZ
BENNO HERZ
BENNO HERZ
IMG. 1/4
2021/5
LEA × CASPER: »SCHWARZ«
Vinyl cover
various
191 × 191 mm
26

About:
Together with Fabian Bremer I did the Typography for the LEA × Casper Single »SCHWARZ« released by Treppenhaus Records. With various drafts in the lottery it was the one with nothing but striking simplicity to be chosen :—)

Typeface:
Diatype

LEA × CASPER: »SCHWARZ«
LEA × CASPER: »SCHWARZ«
LEA × CASPER: »SCHWARZ«
LEA × CASPER: »SCHWARZ«
LEA × CASPER: »SCHWARZ«
LEA × CASPER: »SCHWARZ«
LEA × CASPER: »SCHWARZ«
LEA × CASPER: »SCHWARZ«
IMG. 1/8
2021/5
EIN FASZINIERENDER PLAN
Book
120 pp.
120 × 180 mm
25

About:
A Fascinating Plan is all about energy. This book is part of the video installation with the same title produced for the Ruhrfestspiele 2021 in cooperation with the Munich Kammerspiele.

Thread-sewn softcover, printed in CMYK and interpolated Pantone 402. Cover is a punky screenprint on linen fabric: referencing contemporary literature on classic structures.

Paper:
Kaliko Fly 90 g/m²

Typefaces:
Giros Bold (Radim Pesko)
DTL Fleischmann

EIN FASZINIERENDER PLAN
EIN FASZINIERENDER PLAN
EIN FASZINIERENDER PLAN
EIN FASZINIERENDER PLAN
EIN FASZINIERENDER PLAN
EIN FASZINIERENDER PLAN
EIN FASZINIERENDER PLAN
EIN FASZINIERENDER PLAN
EIN FASZINIERENDER PLAN
EIN FASZINIERENDER PLAN
EIN FASZINIERENDER PLAN
EIN FASZINIERENDER PLAN
EIN FASZINIERENDER PLAN
IMG. 1/13
2021/3
LUDWIG GROTE AND THE BAUHAUS IDEA
Book
296 pp.
150 × 240 mm
24

About:
This book is the first comprehensive study of Grote’s activities as an ambassador for the Bauhaus. Here his problematic connections with the Nazi cultural scene and art establishment, are addressed, as is his influential position in the making of arts policy in post-war West Germany.

Thread-sewn Softcover. Published as Edition Bauhaus 53. Designed based on a concept of Katharina Köhler and Bauhaus Dessau.

Paper:
Munken Print White 16 90 g/m²

Typeface:
Arial

LUDWIG GROTE AND THE BAUHAUS IDEA
LUDWIG GROTE AND THE BAUHAUS IDEA
LUDWIG GROTE AND THE BAUHAUS IDEA
IMG. 1/3
2021/1
THE NEW ALPHABET (HKW Berlin)
Series
various
150 × 230 mm
23

About:
The DNA series sets out to formulate new semiotic worlds conducive to an alternative knowledge production. The topics range from Chinese pictograms to body language and music playlists. There is a feature on It’s Nice That with some more detail on the concept.

series of 25 perfect bound books for a two year program of the HKW Berlin in collaboration with Malin Gewinner, Markus Dreßen, Jan Wenzel and Olaf Nicolai. The books are covered with a series of individually folded dust jackets and printed in four Pantone colors each.

Awarded by TDC Tokyo and Schönste deutsche Bücher 2021 and another feature at Printmag

Paper:
Enviro Top 80 g/m² and 100 g/m²
Chromolux 90 g/m²

Typefaces:
Suisse BP (Ian Party)
Raster Roman (Florian Karsten)

THE NEW ALPHABET (HKW Berlin)
THE NEW ALPHABET (HKW Berlin)
THE NEW ALPHABET (HKW Berlin)
THE NEW ALPHABET (HKW Berlin)
THE NEW ALPHABET (HKW Berlin)
THE NEW ALPHABET (HKW Berlin)
THE NEW ALPHABET (HKW Berlin)
THE NEW ALPHABET (HKW Berlin)
IMG. 1/8
2020/12
BOOKS ON FILMS: DURAS/GODARD
Series
224 pp.
120 × 200 mm
22

Three dialogues between Marguerite Duras and Jean-Luc Godard Dialoge are accompanied by an introduction, notes, and an afterword by Cyril Béghin.

Perfect bound softcover with flaps. The book format aswell as the fully folded out covers of this series perform as horizontally flipped movie-titles/credits. Published as the third title in the series Books on Films at Spector Books.

Paper:
Munken Print White 1.5 80 g/m²

Typefaces:
Bradford (Optimo)
GT Cinetype (Grilli Type)

BOOKS ON FILMS: DURAS/GODARD
BOOKS ON FILMS: DURAS/GODARD
BOOKS ON FILMS: DURAS/GODARD
BOOKS ON FILMS: DURAS/GODARD
BOOKS ON FILMS: DURAS/GODARD
BOOKS ON FILMS: DURAS/GODARD
BOOKS ON FILMS: DURAS/GODARD
BOOKS ON FILMS: DURAS/GODARD
BOOKS ON FILMS: DURAS/GODARD
IMG. 1/9
2020/11
POCHEN BIENNALE
Catalogue
10 posters
420 × 594 mm
21

As an international forum for art and society, the POCHEN Biennale is a space for experimentation and discourse of multimedia art in Chemnitz. Concerning this years »Treuhand« topic, 20 international positions of artistic research, curated by Olaf Bender and Sabine Maria Schmidt aim to provoke a public debate on historically significant topics.

Unbound catalog consisting of 10 sorts of cross-folded posters in random order and a 12 page stapled brochure

Paper:
Mayspieß Astralux 80 g/m²
Circle Offset 70 g/m² / 300 g/m²

Typefaces:
Offkey Beta (Nicolas Bernklau)
Bradford (Laurenz Brunner)

POCHEN BIENNALE
POCHEN BIENNALE
POCHEN BIENNALE
POCHEN BIENNALE
POCHEN BIENNALE
POCHEN BIENNALE
POCHEN BIENNALE
POCHEN BIENNALE
POCHEN BIENNALE
IMG. 1/9
2020/10
DAM ARCHITECTURE AWARD
Identity
various
various
20

About:
In order to anchor the book medium more firmly in the world of architecture, the DAM supports the Frankfurt Book Fair as a cross-publishing address and long-term partner this year the publishers through a digital event program under the title Architektur Lesen! (Reading Architecture!). Topics, authors and books will be presented in a trade fair-like online format in short contributions and broadcast live on the DAM’s YouTube channel.

Different variations and formats for digital advertising and displays along the event.

Typefaces:
DTL Fleischmann

DAM ARCHITECTURE AWARD
DAM ARCHITECTURE AWARD
DAM ARCHITECTURE AWARD
DAM ARCHITECTURE AWARD
IMG. 1/4
2020/9
DAS LETZTE JAHR
Book
368 pp.
205 × 135 mm
19

About:
Rediscovered after thirty years: Martin Gross: The last year. Records from an invalid country. The West German author Martin Gross mainly lived in the GDR in 1990 to observe the decline and the redesign of the country up close. In numerous everyday notes, he described how people made the transition from the old to the new system. He portrayed people as diverse as the guard of a former Stasi prison, the branch manager of one of the new supermarkets, the stokers of a power plant, the bodyguards of a minister and the cleaning staff of a government building.

Classic hardcover with a rounded spine and designed toward optimized legibility.

Paper:
Enviro Top 100 g/m²

Typefaces:
Academica (Storm Type)
Akzidenz Grotesk BQ Super (Berthold)

DAS LETZTE JAHR
DAS LETZTE JAHR
DAS LETZTE JAHR
DAS LETZTE JAHR
DAS LETZTE JAHR
DAS LETZTE JAHR
DAS LETZTE JAHR
IMG. 1/7
2020/5
ÜBERFAHRT
Book
336 pp.
110 × 118 mm
18

About:
Forty days on a container ship from Hamburg to Qingdao, China. This book by photographer Michael Disqué and writer Roman Ehrlich is a work of participative self-observation and a reflection on a life of quotidian routine that follows its own laws. It is depicting processes and questioning estimated formats of photo-text-books in narrative underlying these world journeys.

Published as #4 in the series
Volte Expanded (Spector Books).
Thread-sewn softcover, otabind with a secret spot, screen printed PVC dust jacket
Awarded «Schönste deutsche Bücher 2021»

Paper:
Circle Offset 90 g/m²
Maxi Gloss 100 g/m²

Typefaces:
DTL Fleischmann
Girott (Radim Pesko)

ISBN:
978-3-95905-369-3
German

ÜBERFAHRT
ÜBERFAHRT
ÜBERFAHRT
ÜBERFAHRT
ÜBERFAHRT
ÜBERFAHRT
ÜBERFAHRT
ÜBERFAHRT
ÜBERFAHRT
ÜBERFAHRT
ÜBERFAHRT
IMG. 1/11
2019/12
INSTITUTSPROSA
Book
264 pp.
150 × 215 mm
17

About:
Literaturwissenschaftliche Perspektiven auf akademische Schreibschulen: Academic literary institutes are among the most important institutions in the contemporary world of literature. Yet studies of them—at least in Germany—are notable by their absence.

Thread-sewn softcover with flaps

Paper:
Munken Print White 1.5 80 g/m²

Typeface:
Neue Haas Grotesk (Linotype)
Bradford (Optimo)

INSTITUTSPROSA
INSTITUTSPROSA
INSTITUTSPROSA
INSTITUTSPROSA
INSTITUTSPROSA
IMG. 1/5
2019/12
FORTSCHRITTLICHES BAUHAUSERBE
Book
296 pp.
170 × 240 mm
16

About:
The publication examines the early years of the “Bauhaus collecting process” and describes and analyses the institutional procedures that preceded the establishment of the Dessau Bauhaus collection, while also tracing the history of the Bauhaus reception in the GDR.

Thread-sewn Softcover. Published as Edition Bauhaus 54. Designed based on a concept of Katharina Köhler and Bauhaus Dessau.

Paper:
Munken Print White 16 90 g/m²

Typeface:
Arial

FORTSCHRITTLICHES BAUHAUSERBE
FORTSCHRITTLICHES BAUHAUSERBE
FORTSCHRITTLICHES BAUHAUSERBE
FORTSCHRITTLICHES BAUHAUSERBE
FORTSCHRITTLICHES BAUHAUSERBE
FORTSCHRITTLICHES BAUHAUSERBE
IMG. 1/6
2019/11
PERM 1988. FREUNDSCHAFT IN AKTION
Book
162 pp.
220 × 280 mm
15

About:
The book Perm 1988. Freundschaft in Aktion (Perm 1988. Friendship in Action) is a photo documentary processing one of the largest economic investments in the former GDR: the participation in the construction of a gas pipeline from Belarus to the joint with the European gas network. The photographs provide an insight into a life full of work and fraternity, away from family and the wall, in the middle of a foreign world.

Edited and designed by Hannes Drißner, Simon Merz and Annekatrin Schmidt. Screen printed PVC dust jacket and 16 pp. 4/4 C catalogue.

Paper:
Munken Print White 1.5 90 g/m²
Bavaria Glänzend 90 g/m²

Typefaces:
Times New Roman (Linotype)
Suisse Int’l (Swiss Typefaces)

Published and available via WTP-PP. Book presentation at Chemnitz Open Space in Oktober 2019.

PERM 1988. FREUNDSCHAFT IN AKTION
PERM 1988. FREUNDSCHAFT IN AKTION
PERM 1988. FREUNDSCHAFT IN AKTION
PERM 1988. FREUNDSCHAFT IN AKTION
PERM 1988. FREUNDSCHAFT IN AKTION
PERM 1988. FREUNDSCHAFT IN AKTION
PERM 1988. FREUNDSCHAFT IN AKTION
PERM 1988. FREUNDSCHAFT IN AKTION
PERM 1988. FREUNDSCHAFT IN AKTION
PERM 1988. FREUNDSCHAFT IN AKTION
IMG. 1/10
2019/10
DIE MACHT DER MUSIK (Alexander Kluge)
Catalogue
087 pp.
230 × 300 mm
14

About:
»Without music, life would be a mistake« is the catchline for the multi-part exhibition project, which revolves around The Power of Music. The catalog features image sequences based on exhibited film works in combination with additional texts by Alexander Kluge.

Loop stapled softcover, edition of three catalogs.

Paper:
Sirio Color 80 g/m²
ProfiGloss 115 g/m²
Munken Print White 1.5 80 g/m²

Typeface:
Suisse Int’l / Suisse Int’l Condensed
(Swiss Typefaces)

DIE MACHT DER MUSIK (Alexander Kluge)
DIE MACHT DER MUSIK (Alexander Kluge)
DIE MACHT DER MUSIK (Alexander Kluge)
DIE MACHT DER MUSIK (Alexander Kluge)
DIE MACHT DER MUSIK (Alexander Kluge)
DIE MACHT DER MUSIK (Alexander Kluge)
DIE MACHT DER MUSIK (Alexander Kluge)
DIE MACHT DER MUSIK (Alexander Kluge)
DIE MACHT DER MUSIK (Alexander Kluge)
IMG. 1/9
2019/8
L+ LAB
Exhibition
8 panels
various
13

About:
The Kunstkraftwerk-LAB (Leipzig) is a visionary and multidisciplinary project for contemporary communication, which will accompany various exhibitions in the Kunstkraftwerk scientifically, artistically and playfully in an exchange of different generations, arts and experts. The first edition L+, LEOLAB is dedicated to Leonardo Da Vinci in connection with the exhibition »Giants of the Renaissance«.

Forex plates, framed in a mobile steel partition, aswell as a wall hanging system of interactive panels.

1C direct digital printing
partial foiling 90 g/m²

L+ LAB
L+ LAB
L+ LAB
L+ LAB
L+ LAB
IMG. 1/5
2019/7
BURE
Book
092 pp.
240 × 300 mm
12

About:
In Bure, French and German opponents of nuclear power have been campaigning for decades against the construction of a permanent disposal site for highly radioactive nuclear waste. Jürgen Nefzger photographed the everyday life of a group of protesters who had made the woods their temporary home until the camp was cleared in February 2018. The book includes the essay On the Duty of Civil Disobedience by Henry David Thoreau printed on the inner/hidden side of the spreads.

Japanese bound softcover with flaps. The book is available here.

Paper:
Munken Print White 1.5 80 g/m²

Typeface:
Bureau Grotesk (Font Bureau)

Awarded with the CNAP publishing grant

BURE
BURE
BURE
BURE
BURE
BURE
BURE
BURE
BURE
BURE
IMG. 1/10
2019/6
BAUHAUS | DOCUMENTA
Book
304 pp.
237 × 324 mm
11

About:
Bauhaus and documenta are two globally successful cultural brands, representing a modern Germany that is both cosmopolitan and innovative. In a series of critical essays, bolstered by a selection of original material, the publication examines fundamental, yet frequently overlooked aspects of the two cultural brands, whose profile is now once again a controversial subject of debate.

Hardcover and stapled brochure as inlay (Supplement). Designed in close collaboration with Markus Dreßen.

Typeface:
Theinhardt (Optimo)

Paper:
Holmen TRND 90 g/m²
Munken Print White 1.5 80 g/m²

BAUHAUS | DOCUMENTA
BAUHAUS | DOCUMENTA
BAUHAUS | DOCUMENTA
BAUHAUS | DOCUMENTA
BAUHAUS | DOCUMENTA
BAUHAUS | DOCUMENTA
BAUHAUS | DOCUMENTA
BAUHAUS | DOCUMENTA
BAUHAUS | DOCUMENTA
IMG. 1/9
2019/2
MARKSTEIN GROTESK (Beta)
Typeface
353 glyphs
10

About:
This project started with a research on classic Grotesk typefaces with Gerry Leonidas at the UOR Reading. It tries to combine both, correctly shaped and legibile letters with a little bit of extra attention on the details of the typeface which catch attention in a later stage of typographic design.

Characterset:
Two cuts: Regular and Bold (Latin/Western European characterset with 352 glyphs. The typeface and its trials are available on request via mail.

derWeg in-use by Daniel Zenker

MARKSTEIN GROTESK (Beta)
MARKSTEIN GROTESK (Beta)
MARKSTEIN GROTESK (Beta)
MARKSTEIN GROTESK (Beta)
MARKSTEIN GROTESK (Beta)
MARKSTEIN GROTESK (Beta)
IMG. 1/6
2018/11
FADED DREAMS
Video
03:07 min
4:3 ratio
9

About:
Non commissioned short-film documenting a six week long journey through Indonesia. Shot somewhere around Bali, Nusa Lembogan, Nusa Penida and the Gili Islands.

Super 8 short-film shot on Braun Nizo S480, hand developed and scanned in Berlin.
The video is online on Vimeo

FADED DREAMS
FADED DREAMS
FADED DREAMS
FADED DREAMS
FADED DREAMS
FADED DREAMS
FADED DREAMS
FADED DREAMS
IMG. 1/8
2018/9
MÖGLICHKEITEN EINER WELT (B.A.)
Book
256 pp.
120 × 190 mm
8

About:
Möglichkeiten einer Welt (Possibilities of a World)—is a book about forecasts for the future. Voyages in cannon balls, islands of democracy and brains in antifreeze. Twenty glimpses into what might have been, was or might will be. Set solely in the accompanying typeface Median Grotesk.

Edited and designed as part of a B.A. project with Daniel Zenker in two editions of 100 copies (sold out) and shortlisted »Förderpreis für junge Buchgestaltung« 2019.

Paper:
Munken Pure Rough 90 g/m² and 200 g/m²
Scheufelen Gloss 135 g/m²

Typefaces:
Median Grotesk (Custom)
Regular, Reverse and Italic

MÖGLICHKEITEN EINER WELT (B.A.)
MÖGLICHKEITEN EINER WELT (B.A.)
MÖGLICHKEITEN EINER WELT (B.A.)
MÖGLICHKEITEN EINER WELT (B.A.)
MÖGLICHKEITEN EINER WELT (B.A.)
MÖGLICHKEITEN EINER WELT (B.A.)
MÖGLICHKEITEN EINER WELT (B.A.)
MÖGLICHKEITEN EINER WELT (B.A.)
MÖGLICHKEITEN EINER WELT (B.A.)
MÖGLICHKEITEN EINER WELT (B.A.)
MÖGLICHKEITEN EINER WELT (B.A.)
MÖGLICHKEITEN EINER WELT (B.A.)
MÖGLICHKEITEN EINER WELT (B.A.)
IMG. 1/13
2018/9
MEDIAN GROTESK (B.A.)
Typeface
825 glyphs
7

About:
The typeface Median Grotesk is designed with a systematic approach to type design. It visualizes a cross-section of the most relevant sans-serif typefaces, measured in various categories from expert opinions to sales reports. The result was aiming to function as a document or a »screenshot« of sans-serif typefaces in the here and now.

Designed with the legend of Daniel Zenker as part of our shared B.A. project at DHBW Ravensburg.

Characterset:
Latin/Western European (472 glyphs) in three cuts: Regular, Italic and Reverse

Besides the generated and calculated Regular cut, the two additional cuts Reverse and Italic visualize the extreme values of the research process and appear metaphorically leaning back into the past and forward into the future.

The typeface and its trials are available here.

MEDIAN GROTESK (B.A.)
MEDIAN GROTESK (B.A.)
MEDIAN GROTESK (B.A.)
MEDIAN GROTESK (B.A.)
MEDIAN GROTESK (B.A.)
MEDIAN GROTESK (B.A.)
MEDIAN GROTESK (B.A.)
MEDIAN GROTESK (B.A.)
MEDIAN GROTESK (B.A.)
IMG. 1/9
2018/9
MANIFESTING RULES (Weltformat 19)
Poster
2 editions
F4 / A3
6

About:
The topic of the 2019 Weltformat Newcomer Award was »Manifesting Rules«—The twenty posters nominated for the award showed what formal and substantive rules designers personally drive—and which they deliberately ignore. The Posters were displayed during the festival and printed in a second risograph edition at Risoclub Leipzig.

Two colored Risograph edition (297 × 420 mm) as reproduction of the single edition festival poster (895 × 1280 mm) printed in Fluorescent Orange and Black.

Paper:
Munken Print Creme 300 g/m²

Typefaces:
Academica (Storm Type)
Helvetica Neue LT (Linotype)

Available on request via

MANIFESTING RULES (Weltformat 19)
MANIFESTING RULES (Weltformat 19)
MANIFESTING RULES (Weltformat 19)
IMG. 1/3
2018/9
ECHO WERKSCHAU
Identity
various
various
5

About:
Art direction for exhibition and event identity for the 2018 Media Design graduation show at the DHBW Ravensburg. Concept and design together with Daniel Zenker Klaus Birk. Animations by Hanna Viellehner.

Posters in A0, A1, A3, signage in various formats on custom wood constructions, a catalog, tickets, bags, and multiple digital applications on screens and a website.

Typeface:
Favorit/Favorit Lining
(Dinamo Typefaces)

ECHO WERKSCHAU
ECHO WERKSCHAU
ECHO WERKSCHAU
ECHO WERKSCHAU
ECHO WERKSCHAU
IMG. 1/5
2018/4
DHBW LUNCHTIME-TALK SERIES
Poster
Various
A1 / other
4

About:
Posters for a DHBW Ravensburg talk series, inviting international designers to lecture different topics. Designed with Daniel Zenker and Klaus Birk, digitally plotted in various sizes. Animations by Hanna Viellehner

Typeface:
Neue Haas Grotesk

DHBW LUNCHTIME-TALK SERIES
DHBW LUNCHTIME-TALK SERIES
DHBW LUNCHTIME-TALK SERIES
DHBW LUNCHTIME-TALK SERIES
IMG. 1/4
2018/1
ZAD: THINGS I WANT TO CHANGE
Video
03:21 min
4:3 ratio
3

About:
Things I Want to Change is the last single »zad«, a Lo-Fi/Art-Punk project from Simon Merz and Dominik Lassisch. Together we produced a music video in two days, from the idea to realization.

ZAD: THINGS I WANT TO CHANGE
ZAD: THINGS I WANT TO CHANGE
ZAD: THINGS I WANT TO CHANGE
ZAD: THINGS I WANT TO CHANGE
ZAD: THINGS I WANT TO CHANGE
ZAD: THINGS I WANT TO CHANGE
ZAD: THINGS I WANT TO CHANGE
IMG. 1/7
2017/2
PROGRAMMBROSCHÜRE STETTEN A.K.M.
Catalogue
32 pp.
210 × 100 mm
2

About:
Biannualy published brochure for the organisation of education and training in Stetten am kalten Markt informing about upcoming events, workshops and happenings.

Saddle stitched brochure with exchanging title motives.

Paper:
Speed Gloss 90 g/m²
Recycling Paper 80 g/m²

Typeface:
Markstein Grotesk

PROGRAMMBROSCHÜRE STETTEN A.K.M.
PROGRAMMBROSCHÜRE STETTEN A.K.M.
PROGRAMMBROSCHÜRE STETTEN A.K.M.
PROGRAMMBROSCHÜRE STETTEN A.K.M.
PROGRAMMBROSCHÜRE STETTEN A.K.M.
PROGRAMMBROSCHÜRE STETTEN A.K.M.
PROGRAMMBROSCHÜRE STETTEN A.K.M.
PROGRAMMBROSCHÜRE STETTEN A.K.M.
IMG. 1/8
2017/1
EYES LIKE A CAR CRASH
Catalogue
28 pp.
148 × 210 mm
1

About:
Investigating my private photographic archives in 2017 lead to this selfpublication. Analog photos taken in New York, Copenhagen, Basel, Vienna, Stuttgart and southern Germany.

Edition of 33 signed and numbered zines, saddle stitched with spine.
Sold at Mzin, Leipzig (Out of print).

Paper:
Metapaper Extrarough 105 g/m²

EYES LIKE A CAR CRASH
EYES LIKE A CAR CRASH
EYES LIKE A CAR CRASH
EYES LIKE A CAR CRASH
EYES LIKE A CAR CRASH
EYES LIKE A CAR CRASH
EYES LIKE A CAR CRASH
EYES LIKE A CAR CRASH
EYES LIKE A CAR CRASH
IMG. 1/9
Date
Title
Type
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for desktop use :—) Hannes Drißner is optimized for editorial design but also capable of posters, visual identities, packaging, self-initiated projects and artworks with a content driven and systematic focus on typography.




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Education:
Applied Media Design (B.A.) at DHBW Ravensburg and Typography & Graphic Communication at University of Reading, UK.


Contributions/Features/Awards:
Certificate of Typographic Excellence Tokyo TDC, 2021 / Schönste Deutsche Bücher (2× ÜBERFAHRT + DNA), 2020 / Weltformat Newcomer Award Nominee, 2019 / ADC Nagel Bronze – Junior Award, 2019 / Group exhibition at Chemnitz Open Space, 2019 / GDA – Newcomer Nominee, 2019 / Cnap publishing grant (BURE), 2019 / Förderpreis für junge Buchgestaltung (Shortlist), 2019

Teaching/Lectures:
Editorial Design Workshops at HAW Hamburg + DHBW Ravensburg, 2022 / Typo Talk at Typografische Gesellschaft München with Daniel Zenker, 2019

Selected Clients/Collaborators:
MdbK Leipzig, Pochen Biennale, Goethe-Institut, Thomas Mann House (L.A.), Alexander Kluge, Stoschek Collection Düsseldorf, Spector Books, Akademie der Bildenden Künste Wien, Monika Rink, DAM, Haus der Kulturen der Welt, Bauhaus Stiftung, Fabian Bremer, Pascal Storz, Österreichisches Filminstitut

coding by: Quiet Collective

Contact:

+49 (0) 152 576 831 10

Mobile content:
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Location:
c/o Spector Bureau

Harkortstraße 10
DE-04107 Leipzig

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